Untended grave matters?

Would you either be an osteologist, a physical anthropologist, or a zooarcheologist (spellings and meanings checked, yes) or the like, if encountering skulls and bones are your everyday? Or you’re probably dead, in which case, it is some small comfort if you stop reading this right here.

But what initially seems an extraordinary obsession with the dark side in ‘Man and the Skull’, a series of narrative illustrations by Clyde D’ Mello and curated by Ravi Cavale, will leave you bewildered with its turbulent tints of emotions ranging from the routine to the repressed. And perhaps, you progress with viewing each of the pieces only to be hurtled back into a kaleidoscope of timelines known within a life cycle, spurred by Clyde’s illustrations in pen and ink and the occasional daub of colours, and writing; very raw and personalized in its fluidity and echoing the experiential journey of exploring the roots of coffin making by his grandfather.

Also, it seems fascinating that skeletal structures can be remnants for hundreds of years, long after the dead are buried, decayed and gone, remnants with no life of their own, and yet present as physical tangible entities, proof of the living. Can it be a representational dialogue between the states of life and death? And perhaps, what lies in between? Do they let you confront and shake off certain fears? And in the entire process, does it immortalize the very idea and question of the cycle of life and death itself?

Waking up to the horror of your own reality, and the realization of the dark truth of itself buried somewhere within is probably what will leave you shocked.

Or will it?

‘All are parallels, and yet there is nothing similar.’

God is not great?

Delving into personal experiences, interpreting religious scriptures and analysing historical anecdotes, Christopher Hitchens hurls radical questions on the very concept of God-a man made consolation. But can science and reason, entirely on their own, present answers to many constantly hovering questions? Isn’t it overly judgemental to discard a faith altogether, if a part of its followers are damagingly fanatic? Something to ponder over. #throwbackthursday

Should you watch this?

THIS IS NOT FOR YOU, if you’re in the mood for inspirational anecdotes, preachy life lessons or romantic sagas. Or for replacing podcasts while throttling through the routine agony of traffic jams. Or for the unwinding hours after an awful day with the quintessential horrid boss.

 

What watching an indie-film like “A ‘Pitch-Dark’ Diorama” can do, however, is throw questions that consume you for answers as it unravels, variably to each viewer, as does the very identity design of its production house, ‘Vespertilio Motion Pictures’; an exercise in individual perception differences and imagination. As the 2 hour 4 minute long film progresses in 5 episodes, you shuttle between characters in parallel universes that command complete experiential attention, to a surreal drama surrounded by its varied under-layers.

 

Of course, slasher thriller lovers can rejoice as the indie-film intricately weaves together a pulsating storyline, intriguing direction and commendable cinematography with the joyful authenticity of the analog. Its disciplined crafting on 16 mm Kodak film, also, perhaps, reflects on some very organic acting experiences, for which Amjad Prawej as Indranil Deashi and Amit Ansshu as the detective deliver riveting performances with its subtle nuances.

 

Does each character seem compellingly honest to their persona, and yet vulnerable? Could this be the concealed appeal of the story, a piece fulfilling its initial intention to its best ability? Is the ‘end’ not definitive? Is it capable of inducing malleability in perception on another view? Experiencing the film perhaps allows the viewer some scope of indecisiveness, while, nevertheless, conceding its ‘completion’. And in this context, is this film incomplete, without the audience?

 

So, so, so, should you really watch this? Only if you enjoy the journey. The passing. And the conflicting realities it brings into picture. To unravel how it runs, or how you choose it to play out, rather. To answer the questions above. Or even better, to bring up many more. (Which I shall conveniently redirect to Vespertilio of course).

 

A ‘Pitch-Dark’ Diorama, exclusively on Vimeo on demand: https://vimeo.com/ondemand/apdd

Painting nostalgia on bus tickets 💙

 
The rickety local bus sploshes through rain-drenched roads, magically gleaming with kaleidoscopic reflections of vibrant city lights. A stray dog meditatively rummages the now deserted corner of the street side with a trail of plastic bags, while a cow rests under the shelter of the steadfast metro rail tracks, seemingly in oblivion to its surroundings. Impatient dark clouds completely eclipse the misty sun as the metro train speeds over, hurtling through the city’s pace in more ways than one.